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BRAZILCONZE ARCHIVES : Art Issues in BARCELONA
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#1 BARCELONA : Art : Issues : from 06/07
BARCELONA* History and Situation of Women's Film Festivals Today

The following lecture was given by Silvia Hallensleben, a german film journalist, at the meeting of the Working Group ''Women and Film in Europe'' during the 26th edition of Festival de Films des Femmes at Créteil/France in March 2004.

I was invited here to talk about the history and situation of women's film festivals today''. This sounds very general and it seems also, as if most of you involved in many years of continual festival work would be much more familiar with it and know a lot more about it than me. Of course, as you know, sometimes it makes sense to get an outsiders point of view.

This doesn't mean I consider myself an outsider. As I told you yesterday, I work as a film journalist and a ''some time'' film programmer with a feminist group of film programmers called ''Blickpilotin'' in Berlin. In 1997 we organised a
#2 BARCELONA : Art : Issues : from 06/06
BARCELONA* History and Situation of Women's Film Festivals Today

The following lecture was given by Silvia Hallensleben, a german film journalist, at the meeting of the Working Group ''Women and Film in Europe'' during the 26th edition of Festival de Films des Femmes at Créteil/France in March 2004.

I was invited here to talk about the history and situation of women's film festivals today''. This sounds very general and it seems also, as if most of you involved in many years of continual festival work would be much more familiar with it and know a lot more about it than me. Of course, as you know, sometimes it makes sense to get an outsiders point of view.

This doesn't mean I consider myself an outsider. As I told you yesterday, I work as a film journalist and a ''some time'' film programmer with a feminist group of film programmers called ''Blickpilotin'' in Berlin. In 1997 we organised a
#3 BARCELONA : Art : Issues : from 06/05
BARCELONAI may BRCZ talks about MONOPOLY... it's time to learn how to share bread, water and air waves.

Vale a pena LER DE NOVO
BNDES publica edital que contraria interesse de famosos Edital de um dos maiores financiadores do cinema brasileiro deve confirmar política de descentralização dos recursos do Ministério da Cultura. Figurões acusam ''perseguição'' aos ''consagrados''. Para governo, regras vêm para acabar com privilégios. Esse texto foi escrito por Jonas Valente para a Carta Maior em Janeiro.

+ MEDIA MATTERS | Major Gender Imbalance Found in G-Rated Movies

In America's top grossing G-rated films from 1990 to 2004, male characters out-numbered female characters by a 3 to 1 ratio, according to a new study entitled ''Where the Girls Aren't.'' The study was conducted
#4 BARCELONA : Art : Issues : Latest
BARCELONA::OS TRINTA FILMES MAIS SIGNIFICATIVOS DO CINEMA BRASILEIRO
CINEMATECA BRASILEIRA - 1988
Por Osires Fortunato Garbuio Neto

A referência mais antiga ao cinema brasileiro data de 1898. Afonso Segreto, a bordo do navio Brésil, tirou algumas ''vistas'' da Baía da Guanabara com uma câmera de filmar Lumière que acabara de adquirir em Paris. A Cinemateca Brasileira adotou este evento como marco e, dentro de seu espírito de preservar e divulgar o cinema nacional, promoveu, em 1988, urna série de atividades para celebrar os 90 anos do cinema brasileiro. Uma delas consistiu na escolha dos 30 filmes brasileiros mais significativos, realizada através de consulta a críticos de jornais, revistas e emissoras de televisao, além de pesquisadores ligados a universidades e órgãos culturais, visando a estabelecer uma videoteca básica, para divulgação internacional.

Diferente

 

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